Clipsmith takes the footage off your camera roll, cuts it against what you actually said, puts your captions and graphics on it, and posts it to the accounts you connect. You pick the takes. It does the ten hours after that.
No card. Your footage never leaves your Mac.
Six edit styles, all real reels out of the pipeline, as delivered. Same person, same camera, and nobody opened an editor.
Six stages. Two of them are yours, and they are the two worth keeping: what you filmed, and which takes survive. Everything between is work you were only doing because nothing else would.
Your camera, your phone, your words. Nothing changes here.
Every word timed to the frame, so the edit can be described in text.
Read it back, keep the good run, drop the other four. Taste is still yours.
Pauses, restarts and filler gone. The cut follows the transcript.
Captions, graphics and end card from a style pack. Code, not a timeline.
Out to the channels you connected, at the times you set.
These are screens from the app itself, not mockups.
Shoot several, queue several. It runs one reel at a time and logs every stage as it goes.Your take, read back as text. Click the lines to keep, in order. That is the whole edit decision.Point it at a take, pick the system and the skin, write your two hooks. The preview updates as you choose.Every look that ships, and the ones in development. Vote for what gets built next, or brief your own.
Connect the accounts this business posts to. Clipsmith publishes what you have scheduled, on the day and at the time you set it, and tells you when it has.
Each platform gets what it wants. A Threads caption is written short because 500 characters is the cap. A YouTube title is the spoken hook, because on Shorts the title is the part people read. An Instagram reel can go out as a Trial Reel, shown to people who do not follow you yet.
You connect them yourself, and you disconnect them yourself. One click, and the stored access is deleted the same moment.
Nothing posts that you did not schedule. There is no autopilot that decides what your audience sees.
Video is rendered on your own Mac and sent straight to the platform. It is never stored on our servers.
One login, several businesses. Each keeps its own queue, its own channels and its own look.
Pick the system, pick the pack, and every reel in the batch comes out looking like it came from the same place. Change your mind on reel nine and the other eight follow.
The fast lane. Word-timed captions in your style, nothing else on the frame.
Name, claim and credential sitting under you while you talk.
Graphics over the cut, scheduled against what you said when you said it.
Built scenes rather than stills. For the reel that has to carry an idea.
Cutaways placed where the words need a picture, not every four seconds.
A podcast or a call in, the moments worth posting out.
Clipsmith runs in two halves. The part you click lives on the web. The part that touches your footage runs on your own machine, through a small agent you install once.
Your queue, your takes, your captions, your schedule and your connected channels.
Transcribing, cutting and rendering. A 4K take stays where it already is.
Uploading raw footage would mean waiting twenty minutes before anything starts. So it does not.
A render is one delivered file. Two hooks of the same reel is two renders, because it is two videos you can post. Redos of the same cut are free.
Every style, no card. Enough to put something real on your channel and see it land.
Captions only. About twelve reels a month if you run both hooks.
Graphics reels and b-roll edits, in your own style pack.
Everything, including animation and the longform clipper.
Send us your brand, a few reels you love, and how you want it to feel. Our team builds a custom style pack for you, with your fonts, colours, graphics and pacing, and sets it up in your account. From then on every reel you film comes out in it, on any plan.
Put one real reel through it. If the cut is wrong you will know in ninety seconds, and you will not have opened an editor to find out.