Local-first reel engine

Drop in the take.
Get the reel back.

One decision from you. The cut, the captions, the graphics and the render all happen on your own Mac.

Start with 5 renders No card · every style
Tier Ranking style reel
Glass Board style reel
How it runs

What actually happens.

01Drop it in

Point it at the take you just shot. It reads the geometry, the frame rate, and which channel the mic is really on.

probe · live-channel detect
02It crops

Sideways 4K becomes an upright reel, reframed around you.

rotate cw · 3840×2160 → 1080×1920
03It trims

Finds every pause and false start, and splits the recording into attempts.

silence detect · burst split
04It transcribes

Every attempt gets its own word-timed transcript — the raw material for captions.

whisper · per burst
05You pick

Read the attempts, tap the keepers. This is the only step that is yours.

the one decision
06It renders

Captions and style-pack animations burned in, QC stills checked, file delivered.

remotion · 1080×1920 @ 30fps
Step 05, live

Five attempts.
You keep one.

This is the whole job — real transcript, real timecodes. Tap an attempt; the cutlist recounts.

Select C2335.MP4

Five attempts at one line — tap the keeper

Cutlist0 bursts 00:00.0
The math

The numbers are not close.

Freelance edit, per reel$50–150
Your evening, per reelhours
Clipsmith, per reelfrom $0.99
Doing it yourselfFreelance editorClipsmith
Your time per reelAn evening in the timelineBriefs, notes, back-and-forth≈2 minutes picking takes
TurnaroundWhen you get to itDays≈20 minutes, unattended
A/B hook testDouble the workBilled twiceSecond hook shares the work — one transcription, two files
RevisionsYou, againBilled againRedos never spend a render

Clipsmith per-reel = list price ÷ renders ($99 ÷ 100). Editor figures are a typical freelance range, not a quote.

Under the hood

Eleven stages.
Ten never ask.

Every stage writes its state, so a job that parks at select for three hours resumes exactly where it paused — and the queue keeps moving without it.

RUNNING · SEVEN TOOLS TIER LISTHOOK A · 09/11
probe     3840×2160 · 30 fps · 221.4s · live audio: right
audio     extracted right channel → 16k mono
silences  34 gaps → 35 bursts
bursts    whisper per burst · 35/35 · 96.2s
select    14 bursts kept · hook A
cutlist   39.4s edit · 218 caption words
cut       reframed 1080×1920 · rotate cw
scene     pack templates filled
render    frame 712/1182 
Built in

Made for the A/B habit.

Two hooks, one job

Film both hooks in the same take. Each delivers as its own reel, sharing one transcription.

Nothing uploads

Cut, transcribe and render on your own Mac. A 4K take never crosses the wire.

Redos are not renders

Re-delivering a fix never touches your meter. Fix it until it is right.

Nine style packs

Captions, overlays, full-screen animation — same footage, different film.

The queue waits for you

A job parks at pick-takes and the rest keep moving. Come back in an hour; nothing is lost.

QC before delivery

Stills at every beat, checked against the style pack's checklist before the file lands.

The app

A queue, not a timeline.

Everything runs on your machine and reports into one screen.

The Clipsmith queue screen: jobs grouped into Running now, Up next, Waiting on you and Finished, with per-stage progress and an activity log.

Clipsmith · queue screen

Pricing

Metered in delivered files.

A render is a file that lands in your folder. Two hooks out of one recording spend two.

Trial
$0
5 renders · total

Every style, no card.

Starter
$39
25 renders / mo

Captions only — the fast lane.

Growth
$69
50 renders / mo

Graphics reels and b-roll.

Pro
$99
100 renders / mo

Everything, incl. the clipper.

A redo never spends a render

Fixing a delivered variant costs a redo, not a render.

Two hooks, one transcription

Both hooks share the slow pass and count as two files.

Cancelling keeps the period

Access runs to the end of what you paid for.

Five renders. No card.